Denver, get ready to drift to Cloud Nine. On Saturday, August 16, Toronto-based producer and rising experimental bass star Canabliss is bringing her biggest headline show yet to Cervantes Masterpiece Ballroom and she’s doing it pajama party style.

Following her 2024 sellout at Cervantes’ Other Side, Canabliss is back with the Cloud Nine Pajama Party, an immersive experience where comfort and chaos collide. Fans are encouraged to show up in their coziest sleepwear for a night of heavy low-end, dreamy visuals, and interactive surprises. The event will also include a daytime pop-up with meet and greets, Mario Kart battles, themed drinks, and other nostalgic activities that channel the carefree joy of a classic slumber party but with a bass-fueled twist.


Joining her on the lineup are special guests Capochino, Raaket, and Solfire, each bringing their own flavor of underground firepower to round out the night.

But the show isn’t just a vibe, it’s a milestone. Canabliss has been steadily rising through the electronic music ranks, building a fanbase off the strength of her genre-fluid sound, infectious energy, and multi-dimensional artistry. A self-taught producer and creative through and through, she draws influence from photography, video games, and visual storytelling, channeling it all into music that’s as emotionally rich as it is sonically bold.

Her annual Bliss N’ Blaze mix series, especially the most recent Vol. 3, showcases this fusion perfectly; trippy, immersive, and impossible to pin to a single genre. And with whispers of a DNB-inspired EP on the horizon, it’s safe to say that Canabliss is gearing up for a major evolution. Attendees at the Pajama Party might even catch a few unreleased gems woven into her set.

Known offstage as Samantha Infusini, Canabliss floats freely between future bass, halftime, and experimental electronica. Her music mirrors the same fluidity that defines her visuals and aesthetic. With a strong creative identity and a growing catalog of unique, high-caliber tracks, she’s carving out a lane that’s completely her own.

So whether you’re coming for the cuddly onesies, the bass weight, or the chance to beat Canabliss in Mario Kart, Cloud Nine is shaping up to be one of the most distinctive events in Denver this summer.

We had a chance to speak with Canabliss ahead of her Denver show to discuss everything from her inspiration behind Cloud Nine, her favorite video games, and special relationship with Denver. Check out our conversation below!

[Rooster]: Let’s start with the obvious: What inspired the “Cloud Nine Pajama Party” concept? Have you always wanted to throw a rave in pajamas?

[Canabliss]: The cloud nine pj party is concept is something i’ve wanted to do for a while, and was honestly just inspired by my love of coziness. I think there’s a lot of pressure going to shows and festivals on your outfits for the aesthetic, which don’t get me wrong, I absolutely also love participating in that. I just feel like it will be a more intimate experience and fun change of pace for everyone to come all cozy. The main idea sparked because when I’m working on music at home, I’m basically always bundled up in a fluffy robe, so it only seemed right to create an unique opportunity to experience that in the place where people are used to dressing their coolest.
 

Fans can expect Mario Kart, meet-and-greets, themed drinks… how hands-on were you in curating the full experience for this show?

I was super hands-on with creating the full experience. We even have super curated pop-up that’s gonna be happening before the show at the 808 pop-up event space. I really wanted it to be a cute and fun vibe and for everything to be cohesive, I’m super excited. I feel like it’s going to be such an exciting and unique aesthetic that everyone can enjoy.
 

The name “Canabliss” feels dreamy and euphoric, but your sets can definitely get heavy. How do you strike that balance between blissful and bass-y?

I don’t know if this even makes sense, but for whatever reason, whenever I look at my artist name I always feel like it’s split into the “Cana” and the “Bliss” representing the two sides. Cana gives off more dark wubby energy , and the Bliss represents the happier faster, more euphoric music that ive also always made. I’ve always thought the balance of doing both was kind of cool lil niche for me. I also truly believe it’s important to have balance in all aspects of life, so I think it works well and it compliments each other.
 

Your 4/20 Bliss N’ Blaze mix has become something of a tradition now. What does that series mean to you, and how do you approach each new volume?

The Bliss N Blaze mix has definitely become a tradition now. I think it specifically showcases how much I’ve grown as a DJ each year, as well as my style of mixing. I  i’m always trying to evolve and switch it up, rather that be with mixing or producing or other aspects of my project. Personally my music taste comes in waves, I love every genre and lately have been trying to showcase more variety while still keeping things generally bassy. It’s also just really fun to celebrate 420 with a little special present to the listeners.
 

Outside of music, you’re also a visual artist and a big gamer. How do those parts of your identity feed into your creative process?

I think everything definitely relates to each other when it comes to the creative process for me. Video games are my relaxation and refuelling time. I use them to connect with friends as well as turning my brain off. I don’t really watch Netflix or TV or anything like that so that’s really my one form of recharging. When it comes to visual arts, it’s been really rewarding to include some of my work in my music project. I’ve actually been practicing a lot more lately and i’ve started making more of my own graphics for shows and such. I feel like it really helps bring my vision to reality when I’m doing as much as I can myself.
 

Theres been a bit of buzz around some DnBliss being made, anything you could share with us?

Yes! I am having so much fun writing DnB and now UKG as well, i’ve always wanted to dip my toe into these genres, and i’m finally confident enough with my abilities to achieve the sound i’ve been going for. I already have quite a few IDs in store that I can’t wait to share.
 

You sold out Cervantes’ Other Side in 2024 and now you’re leveling up to the main room. What does this milestone mean to you as an artist?

Not gonna lie it’s a little bit unfathomable to me every day. I feel like I’m living in a dream and I’m just so grateful to be where I’m at currently. I have so many exciting plans and am really eager to keep evolving and growing as an artist.
 

Denver’s become a second home for a lot of bass artists. What’s your relationship with the city and its scene?

I definitely have played Denver a lot more times compared to other cities, considering it is the bass capital. It is such a special city and certainly like a lil home to me. I have a lot of good friends that I’ve made over my trips there and I always am excited to go to Denver, it never disappoints.