Everyone knows the harbingers of pop culture are America's youth … even if that youth doesn't have a sense of self or teeth just yet. You don't need to be able to walk or talk to spot a #1 hit when you hear it, as this baby proves when Katy Perry's "Dark Horse" comes on the airwaves. She signals her seal of approval by ceasing her cries, turning her frown upside down, and getting down to the sick rhythm like a seventeen-year old at a big kid's rave. This kid's going far.

Everyone knows the harbingers of pop culture are America's youth … even if that youth doesn't have a sense of self or teeth just yet. You don't need to be able to walk or talk to spot a #1 hit when you hear it, as this baby proves when Katy Perry's "Dark Horse" comes on the airwaves. She signals her seal of approval by ceasing her cries, turning her frown upside down, and getting down to the sick rhythm like a seventeen-year old at a big kid's rave. This kid's going far.

But, like any pop icon, Katy Perry is as derisive in the infant adult world as it she is in the adult one. This baby vehemently rejects Katy Perry on the basis that the sounds destroy her developing basal ganglia. Look:

"Hush little baby, don't cry, Juicy J's gonna spit a freaky lullaby."